Title: Dread Nation
Author: Justina Ireland
Series: Dread Nation, #1
Publisher: Blazer + Bray
Release Date: April 3rd 2018
Justina Ireland’s Dread Nation reimagines the end of the Civil War not with the surrender of the Confederate Army, but with the rising of the dead. Facing its greatest threat, the government passes the Native and Negro Reedcation Act, forcing Native and black children into schools where they train to fight the undead. Jane has grown up in a world where shamblers are a constant threat. As a student at Miss Preston’s School of Combat, she has developed the necessary skills to survive a fight with a shambler. While she should be hoping to be hired as an Attendent for a rich, white family, all she really wants is to return home to her mother whom she hasn’t seen in years. When Jane reluctantly lends a hand to an old friend in finding his sister, she stumbles upon a scheme that will take her even farther from home, to a place where those in charge will do anything to keep their secrets hidden.
Ireland manages to be both creative and realistic in her world-building. Though shamblers have reshaped the country, the fundamentals of white supremacy still ring true. In towns like Baltimore, affluent families enjoy a degree of safety not afforded to others. They would rather pretend that the shambler threat exists elsewhere and that their city couldn’t possibly be overrun. Though slavery has been abolished, it is still black bodies being put on the front lines, valued less for their ability to fight the undead and more for their expendability. While some white folks are willing to move forward and embrace an age where black and white people could work together, there are factions that still believe certain races are inherently superior to others. When you combine this with religious fervor and unchecked power, the results are devastating.
I’d be hard-pressed to decide whether Ireland’s writing shines brightest in her world-building or her creation of a character that feels as real as the paper she’s printed on. Jane’s narration is one of the most genuine that I’ve come across. The more I read, the more I gained an appreciation for the character and Ireland’s ability to make every thought and piece of a dialogue feel both deliberate and authentic. I loved that Jane manages to be delightful both in her negative and positive attributes. Ireland never side-steps the protagonist’s flaws, but rather let’s her be petty and reckless in the moments that make sense for her character. This means Jane feels more real and readers get an honest glimpse at who she is rather than what the author just wants you to see.
There are several minor character who I grew to appreciate. Jane’s schoolmate Katherine starts off as a foil to Jane, but by the end of the novel there is an earned respect and camaraderie between the two. I did want to see more of Jackson, Jane’s once-upon-a-time romantic interest. It’s hard not to see how he might have charmed her and I’m greedily curious to know more about their lawless escapades. Like Jane, I am also very curious about Mr. Gideon, a bright young inventor who also understand what it means to play the long game against a more powerful opponent.
Ireland’s Dead Nation is like nothing I’ve ever read. It takes a tired zombie trope and gives it a fresh new look. It’s insightful and provocative as it juxtaposes a population who longs for the glory days of a prosperous America with one that has only been used as stepladder for the other’s triumphs.