Title: The Hazel Wood
Author: Melissa Albert
Series: The Hazel Wood, #1
Publisher: Flatiron Books
Release Date: January 30th 2018
**I received a copy of this book through NetGalley which does not influence my review**
Melissa Albert’s The Hazel Wood brings dark fairy tales to life with beautiful writing and eerie tales that leap off its pages. Alice is not used to staying in one place for long. Her mother has often whisked her off at a moment’s notice and so Alice is not used to putting down roots. Even her mother’s new marriage feels temporary as bad lucks seems to follow them everywhere. When Alice discovers that her mother has been kidnapped and that her disappearance may be tied to the recluse grandmother she’s never met, Alice sets out in search of her grandmother’s estate the Hazel Wood. But the closer Alice gets to the mysterious home of her mother’s youth, the more she begins to realize that the book of fairy tales written by her grandmother years ago may not just be stories.
One of Alice’s defining characteristics is the underlying darkness she’s constantly trying to keep at bay. I wanted the author to explore this more as I felt that those scenes where this darkness takes momentary control came across as Alice being more bratty than trying to quench this inner hostility. What I did find fascinating about who Alice is is the way in which the author showed how one woman’s life experience trickled down through generations and impacted all their lives. Althea had shut herself in the Hazel Wood years ago with her daughter Ella. This means for years Alice’s mother was essentially trapped in a make believe world of her own mother’s making. This explains a lot about Ella and her flightiness. Alice has adopted a similar mindset. Her world is very small because she’s only ever had her mother to love. When she finds out her mother is missing, it isn’t a matter of just calling the police, she must physically find her or else her whole world will come apart. It is this kind of desperation that would have had me more invested in this character, but scenes between Alice and her mother were too few considering the importance of this relationship to Alice’s character.
Aside from Alice, the novel spends most of its time on her classmate Ellery Finch. A bit of an outcast, Finch recognizes something familiar in Alice that he sees in himself. A fan of Althea’s work, Finch becomes a window by which Alice is able to connect with the grandmother she never knew. I really liked Finch, but felt that there were so many more layers to his character that we didn’t get a chance to explore. His own storyline seemed to end far too abruptly and his arc’s resolution didn’t feel justified based on the level of development his character received. We were often told there was a side to his character that he didn’t let other people see, but we were never given enough insight into this for certain choices he made to feel authentic.
I can’t say enough about the writing in The Hazel Wood. Albert’s imagery shines best when she narrates the dark stories from Tales from the Hinterland. With titles like Twice-Killed Katherine and The Door That Wasn’t There, these stories are unique and compelling and sometimes sinister. I enjoyed these strange fairy tales so much that there were times that I wish I was reading Althea Prosperpine’s novel instead of this one. As much as I enjoyed this aspect of the novel, Albert’s writing seemed to falter when it came to characterization and most notably that of her lead.