I didn’t plan on putting together more than one set of mini-reviews for this month, but ended up with these ones. The Hearts We Sold is a mini-review from last month and The Women in the Walls is one of my final reads of October. They both have a horror feel to them, so they’re perfect for my final reviews of the month. Covers below are linked to Goodreads.
Title: The Hearts We Sold
Author: Emily Lloyd-Jones
Publisher: Little, Brown Books for Young Readers
Release Date: August 8th 2017
The first thing about Emily Lloyd-Jones’s The Hearts We Sold that caught my attention was the premise. The idea that demons have not only made themselves known to the world, but that they grant wishes in exchange for part of a person is potentially horrifying. Despite the unique premise, the world-building still left something to be desired. The ending really threw me for a loop. The “twist” could have been established earlier on and its consequences explored which would have help with the world-building. I really appreciated reading about Dee. I’d like to see more protagonists who have to deal with their parents’ addictions. As the child of alcoholics, Dee feels incredibly isolated. She internalizes a lot of negative thoughts about herself and others. This is a theme that runs throughout the entire novel and affects all of her relationships. At first, it’s easy to scoff at the idea of giving up your heart to a demon for anything, but Dee’s desperation really comes through and it’s hard not to in some ways support with her decision. The side characters in this one were enjoyable, but never felt fully realized. Aside from Dee, James was the one character that stood out. It’s always nice to get a love interest that isn’t a clichéd brooding male. He’s so full of life and lent a dose of levity to the Dee’s world. The Hearts We Sold is good novel for those looking for a darker fantasy with an unusual premise, but probably won’t blow you away in the end.
Amy Lukavics’s The Women in the Walls is one of the creepiest books I picked up this October. I went into this not expecting too many thrills as the reviews for this one have been on the negative side. I’m a big fan of build-up and think tension is essential for any horror story, so I was put off at first when we are thrust head first into this story. There is also a lot of telling rather than showing and while I do think the book improved as it went on, this was one of its shortcomings. I do want to mention that this novel does deal with suicide and self-harm, both of which I was not expecting. The protagonist is already buckling under familial expectations when the people around her begin acting strange. Lucy’s aunt disappears into the woods surrounding their estate and her cousin Margaret’s behavior becomes erratic. With her aunt gone, her cousin Margaret pulling away, and an emotionally absent father, Lucy begins to come apart. The pacing really picked up once I was halfway through. Once Lucy starts to hear voices from the walls herself, I had to continue reading. If you do decide to pick this one up, there are plenty of spine-tingling scenes that will both terrified and delight the horror fan.